UAVHEP009 :: JUCHE! 1/3 – Music of North Korea – Song of Women

Underworld Amusements Variety Hour, Episode 9 ::
JUCHE! – Music of North Korea – Song of Women

Straight from the DPRK, the women of Korea lift their voices to Dear Leader in praise of motherhood, womanhood, soldiers and heroes. REUNIFICATION!
Tracklist after the fold:
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New York Times Review of “Men versus the Man”

New York Times reviewed our little book… well, when it was first available in 1910.

MEN VERSUS THE MAN
A Book in Which Socialist and Individualist Belabor Each Other

Men versus the Man”  is a correspondence between two friends, Robert La Mont, Socialist, and H. L. Mencken, Individualist. They are editors of American newspapers, though their names little indicate it, and it never would be guessed from the authorities they cite in a discussion designed for American readers. Among them may be mentioned Prof. Thorstein Veblen, Prof. Hertzks, Ehrlich’s “Theory of Immunity,” and Lucien Sanial, “one of our ablest statisticians.” No disparagement is implied by this collocation of names, whose authority is in no wise affected by the selection designed to indicate the foreign atmosphere which inheres in a topic so alien to Americans that they may not recognize the distinction of its leading lights. Mr. Mencken, the Individualist, might be assumed to be the more sympathetic of the debaters. He argues that the proletariat—something that anybody desiring to be in touch with the foremost topic of our times ought to look up In the dictlorary forthwith—is composed of human vermin, and that the struggle for life ought not to be interfered with. Mr. Lamont, the Socialist, contends for such a divinity in the humblest humans that all of them have a right for something more than they can secure for themselves by the aforesaid struggle for life under the conditions of modern industrialism. There is no Institution so sacred that the Secialist would not make it over to fit his theories. And the Individualist is equally uncompromising for his view of life, contending that nothing should be done to lessen the struggle for the weak or unfit. In justice to the strong be hard to the weak, is the cry of the latter. In justice to the weak bind or abolish the strong, is the counter cry. Both argue their contentions smartly, and qualify their readers to understand, if not to maintain, a like argument for themselves upon a topic any one must be well-informed about. in order to take part in current conversations. And who so well qualified to instruct Americans regarding their institutions as the gentlemen of the foreign names?

“Men versus the Man” H.L. Mencken, Robert Rives La Monte, John Derbyshire

Everything has come together perfectly for this new book, and we think it’s an essential purchase for the Social Darwinist, Menckenophile, Egoist or Reactionary Conservative.

There is no irony in the fact that H.L. Mencken is a tall figure in the history of letters, and Robert Rives La Monte is wholly forgotten. La Monte, who worked at the Baltimore News as well as being an editor for the International Socialist Review, was a true believer in the promise of Socialism, and here he writes six letters trying to convince H.L. Mencken that he should reject his selfish ways and become a comrade in the revolution to usher in a perfect world.
Mencken, long time writer for the Baltimore Sun, editor of The American Mercury, and prolific author and essayist, was the absolute worst choice of target for an evangelist of the common man. There have been few who were as openly resolved to a robust Nietzschean individualism. And so, in one of the turn of the last centuries greatest “flame wars,” we have the Bard of Baltimore’s six responses to those calls.

The battle of the “collective good”ť versus “individual liberty” still rages in pitched battles. One difference is that this one, chronicling a hundred year old battle of egoism against collectivism, was fought well before National Socialisms tens of millions and Communism’s hundred million corpses would add more serious weight to subsequent debates.
La Monte’s voice is rightfully now just one of many faceless advocates of class-warfare, and Mencken’s personality survives as the greatest advocate of social Darwinism and thus ultimately Mencken’s own views.

With a preface from the anti-optimist John Derbyshire (We Are Doomed,Unknown Quantity, etc.) giving a historical context as well as his own perspective and its relavance to conservative thought today. He states:

“The argument of Men versus the Man is one we are still having today. The content of the argument is the relative desirability of two approaches to our social life. On the one hand is proposed a society of men: a society in which none is allowed to rise too high above another, a society that subtracts great resources from the more able in an effort to raise up the less able. On the other hand is a society of the man: a society in which individuals are left to do what they can with their inherited capabilities, in conditions of maximum personal freedom and minimal state control.”

-John Derbyshire, from the preface

Mencken biographer Terry Teachout stated:

“(It) shows how (Mencken’s) political thinking had solidified–hardened, really. The law of the survival of the fittest, he declares, is ‘immutable,’ť thus making socialism an absurdity; human progress is the product of the will to power, and all social arrangements failing to take this fact into account are doomed to failure; inequality is natural, even desirable, both in and of itself and as an alternative to mob rule; the world exists to be run by “the first-caste man.”

-Terry Teachout, The Skeptic: A Life of H.L. Mencken

Robert C. Bannister, in his Social Darwinism: Science and Myth in Anglo-American Thought stated that Mencken’s thoughts in this book are:

“The antithesis of the progressive reformer, he responded to the tensions of the decade by voicing a darker side of middle class concern untempered by humanitarianism: worship of efficiency and strong leadership without democracy… unleavened by equalitarianism or internationalism. A Nietzschean social Darwinism, precisely because struggle for existence was the equivalent of a later generation’s rat race, provided the ideal rhetoric for expressing rebellion and disgust, however confused, with the growing constraints in American life…
Mencken’s social Darwinism, like that of Ragnar Redbeard, was thus the exception that proved the rule precisely because both expressed a gospel not articulated in the West “since 300 A.D.!” Both depended on the ability to shock. Concerning Man vs. the Men… Mencken and his critics agreed he spelled out a logic that was implicit in all defenses of the existing order. Defenses of capitalism were really appeals to jungle force.”

-Robert C. Bannister, Social Darwinism

“Christ Killer” t-shirt by Underworld Amusements and ASP Apparel

In his lecture The Great Satan, Satanic priest Kevin I. Slaughter discussed his love of iconoclasm.

“If I were Jewish, I’d occasionally wear a t-shirt with the words Christ Killer on it.”

He then designed the shirt, and ASP Apparel is making them. And even though he’s still not Jewish, he’ll occasionally wear it.

The first collaboration between Underworld Amusements and ASP Apparel has arrived.

Produced in the United Kingdom and shipped worldwide. Hoodies and long-sleeved variants available as well.

‘Tis the reason for the season, so let ‘em know you’d do it all over again.

Order directly from: ASPapparel.com

“What is Satanic?” an excerpt from “THE GREAT SATAN”

I would like to thank the Secular Student Alliance at Wayne State University for inviting me to speak for their Separation of Church and State week. My host Hassan was gracious and attentive and Tiny, the Coordinater of Student Activities, saw to it that my travel and comfort were well attended to. A special thanks to Tova, for her pleasant conversation, and everyone who attended my lecture.

I have quickly cut together a short section of my lecture as a preview. I plan on editing it together over the next two months to release it in the beginning of 2012. Underworld Amusements may be hosting a small premiere for those on the East Coast that were unable to attend in Detroit, details to be announced.

(Video embedded above. If it’s not showing, visit: http://youtu.be/nKP1RMnF-HY )

One of the perks of lecturing on a college campus, having your talk promoted in sidewalk chalk! Touring the campus, I saw at least 4 or 5 of these in different high-traffic areas, and I appreciate the effort!

There were large banners posted around campus as well, this one is at the Barnes & Nobles:

The day after my lecture I appeared on what was called an “Interfaith Discussion Panel”, and it was a rather frustrating experience because all the religious folks asked specifically that it not be a debate, so nobody would engage one another.

You can see the line-up was Christian, Muslim, Jew & Sonofabitch. I was ready for some old-style bare knuckle boxing, but I just got some milquetoast sophistry.

THE GREAT SATAN – Kevin I. Slaughter lecturing at WSU Nov. 16th

Kevin I. Slaughter will be speaking at Wayne State University on Wed. November 16th, for their Separation of Church and State Week, sponsored by the Secular Student Alliance.
The given title of the lecture is “THE GREAT SATAN: How Satanism is the Most American Religion”, and topics discussed will be Satanism and the fight against puritanism, old and new.

It is FREE and open to the public.

9 Sense interviews Kevin I. Slaughter about Underworld Amusements

Adam P. Campell of the 9 Sense podcast interviewed me earlier this year (May 29th, 2011) for his podcast that focuses in Satanism and the people and ideas involved with the philosophy.

After the interview I recall spending more than an hour rambling about 100 different things without much coherence. He ran a heavily edited version (I told him I didn’t envy the cutting job I’d caused him to engage in) on his podcast (I think it was supposed to be a 10-15 minute segment) and claims it is not only the most downloaded episode but also his favorite interview. Others have assured me it’s entertaining and worth the time. I am too harsh a critic on myself, and it would certainly go against my best interest to debunk this sort of praise. I am grateful for it, and appreciate everyone who supports the work that I do.

He has now released a full interview recording, and you can listen to it using the player that should be embedded on this page, through your subscription to our podcast feed, or find the mp3 on Adam’s site.

 

The King In Yellow | Robert W. Chambers, Illustrated by G. Edwin Taylor

Underworld Amusements has produced this limited edition of The King In Yellow to coincide with the Things That Go Bump in the Night gallery exhibition at Gallery Provocateur in Chicago, IL.
The cover art was painted for this annual show by G. Edwin Taylor.

NOW OUT OF PRINT!

G. Edwin Taylor was born 1973 in Chicago, where he still resides. A self taught artist, he paints mainly in acrylic, and has been called a visual master of the Weird. He is influenced heavily by H.P. Lovecraft and the original Lovecraft circle and pulp fiction in general, including the pulp artists such as Virgil Finlay, Margaret Brundage and Rafael DeSoto.

Copies will only be available from Oct. 29th, 2011, to January 31st, 2012.
NOW OUT OF PRINT

The King in Yellow is a collection of short stories written by Robert W. Chambers and published in 1895. The stories could be categorized as early horror fiction or Victorian Gothic fiction, but the work also touches on mythology, fantasy, mystery, science fiction and romance. The first four stories in the collection involve an imaginary two-act play of the same title.
The first four stories are loosely connected by three main devices:
A play in book form entitled The King in Yellow
A mysterious and malevolent supernatural entity known as The King in Yellow
An eerie symbol called The Yellow Sign
These stories are macabre in tone, centering on characters that are often artists or decadents. The first story, “The Repairer of Reputations”, is set in an imagined future 1920s America.
The other stories in the book do not follow the macabre theme of the first four, and most are written in the romantic fiction style common to Chambers’ later work. Some are linked to the preceding stories by their Parisian setting and artistic protagonists.

Taylor’s pulpy, low-brow art is perfect for this obscure classic of weird horror. Chambers represents a sort of literary bridge between Edgar Allen Poe and H.P. Lovecraft.

H.P. Lovecraft read The King in Yellow in early 1927 and included passing references to various things and places from the book—such as the Lake of Hali and the Yellow Sign—in “The Whisperer in Darkness” (1931), one of his seminal Cthulhu Mythos stories. Lovecraft borrowed Chambers’ method of only vaguely referring to supernatural events, entities, and places, thereby allowing his readers to imagine the horror for themselves. The imaginary play The King in Yellow effectively became another piece of occult literature in the Cthulhu Mythos alongside the Necronomicon and others.